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Dr. Oliver Kröner

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Wissenschaftlicher Mitarbeiter

Dr. Oliver Kröner
Gebäude: 23.21
Etage/Raum: 01.093
+49 211 81-14857

Sprechzeiten

n. V.

 

Fernsehtheorie

 

Medienrezeption

 

serielle und transmediale Formen

 

mediale Figuren

 

kognitive Medientheorie

 

Medienästhetik

 

populäre Kultur

seit 04/2023

wissenschaftlicher Mitarbeiter am Institut für Medien- und Kulturwissenschaft der Heinrich-Heine-Universität Düsseldorf

01/2019-07/2020

wissenschaftlicher Mitarbeiter in Media and Journalism an der Fakultät für Business and Society der Glasgow Caledonian University in Schottland/ UK

09/2014-11/2018

Promotion in Film- und Fernsehwissenschaft an der University of Glasgow in Schottland/UK

09/2011-11/2013

Master in Filmwissenschaft an der University of British Columbia in Vancouver/ Kanada

10/2004-11/2010

Magister Artium in Amerikanistik und Soziologie an der Johann-Wolfgang-Goethe-Universität in Frankfurt a. M.

2015-2017

College of Arts Screen Praktikum, University of Glasgow/ UK

2015-2017

AHRC-Stipendium, Scottish Graduate School for Arts and Humanities

 

Gesellschaft für Medienwissenschaft (GfM)

 

The Society of Cognitive Studies of the Moving Image (SCSMI)

 

Northern Television Studies Research Group (NTVRG)

 

Film and Media Studies Association of Canada (FMSAC-ACÉCM)

 

Professional Wrestling Studies Association

Monographien

vrsl. 2024

Television Characters, Seriality, and Emotion (Screen Serialities), Edinburgh/UK: Edinburgh University Press.

 

Aufsätze

2023

„To Be Continued … on the Football Pitch: Seriality, Transmedia Storytelling, and Viewer Engagement with Non-Fictional Television Characters“, in: Journal for Literary and Intermedial Crossings, Special Issue on Seriality. 79-99.

2022

„Then, Now, Forever. Television Wrestling, Seriality, and the Rise of the Cinematic Match during COVID-19“, in: Global Storytelling. Journal of Digital and Moving Images 2(1):7.

„‚Oh My God, They Didn’t Kill Kenny’. Performance, Seriality, and Viewer Engagement in Contemporary Animated Television“, in Ted Nannicelli and Hector J. Perez (ed.): Contemporary Serial Television. Cognition, Emotion and Aesthetics, London: Routledge. 68-82.

2021

„The Day May Come When You Won’t Be Quality TV. The Walking Dead and Viewer Engagement“, in: Series. International Journal of TV Serial Narratvies, 7:1.

„Wrestling with Characters“, in Christopher J. Olson and CarrieLynn D. Reinhard (ed.): Convergent Wrestling. Participatory Culture, Transmedia Storytelling, and Intertextuality in the Squared Circle, London: Routledge. 45-58.

2019

„Ringside Reality. Viewer Engagement in Contemporary Television Wrestling“, in: Media Education Journal, Association for Media Education in Scotland.

2018

„Marnie is the Worst. Antipathetic Characters in Contemporary HBO Programs“, in Victoria McCollum and Giuliana Monteverde (ed.): HBO’s Original Voices. Race, Gender, Sexuality and Power, London: Routledge. 141-155.

2014

„Breaking Narrative. Narrative Complexity in Contemporary Television“, in Valentina Marinescu, Bianca Mitu and Silvia Branea (ed.): Critical Reflections on Audience and Narrativity, Stuttgart: ibidem-Verlag. 77-89.

 

Herausgeberschaften

2013

Cinephile 9.1. Reevaluating Television, The University of British Columbia’s Film Journal (zus. mit Andrea Brooks). Vancouver, Kanada.

 

Rezensionen

2017

Elliot Logan: Breaking Bad and Dignity. Fragmentation in the Serial Television Drama, in: „Critical Studies in Television. The International Journal of Television Studies“, Vol 12:3. 313-315.

2019

Gutachter wissenschaftliche Manuskripte, für „Intellect Books“

Konferenzen

04.-05.05.2016

Film and TV, Theatre, and Centre for Cultural Policy Research Postgraduate Symposium, University of Glasgow/UK.

 

Vorträge

07/2022

„To Be Continued … on the Football Pitch. Lionel Messi, Seriality, and Sentimental Viewer Engagement with Non-Fictional Television Characters“. Critical Studies in Television Slow Conference, online.

„Grappling with the Pandemic. Contemporary Television Wrestling and the Rise of the Cinematic Match during COVID-19“. Screen, online.

06/2019

„Is Nathan For You? Schadenfreude and Humanity in One of TV’s Most Controversial Programmes“. Cognitive Futures in the Arts and the Humanities, Mainz.

06/2017

„Oh My God, They Didn’t Kill Kenny! Viewer Engagement with Animated Television Characters“. Screen, Glasgow/UK.

06/2016

„Wrestling with Characters. The Viewer|Character Relationship on Contemporary Wrestling Programmes“. The Pro Wrestling Symposium, Aberystwyth (Wales)/UK.

„Hating Contemporary Television Characters“. Screen, Glasgow/UK.

06/2015

„Wrestling with Characters. Viewer Engagement in WWE Programming“. SCSMI, London/UK.

09/2015

„Walter White is More Important Than Your Mother. The Significance of Caring About Fictional Characters“ (with Hanna Kubicka). Explorathon. European Researcher’s Night, Glasgow/UK.

06/2013

„Breaking Narrative. Narrative Complexity in Contemporary Television“. Victoria/Kanada.

05/2012

„Made in America. The American Dream in Contemporary Television Drama“. Vancouver/Kanada.

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